Why you should (almost) always audition…

I’ve been on both sides of the audition table. I’ve done the bit where you are new and you try to break into the group, where you are experienced and hoping for a bigger role and when you are a known entity and are experienced enough to know that the community holds a dozen more like you who are just as hungry for the role.

I’ve also done the artistic team side of the table. I’ve done it when the cast is fed to you and you just need to decide where everyone fits. I’ve done it when you have a clear idea of who may be right for the part – and they may or may not decide to audition. I’ve waited in the “audition hall” hoping for the right new person to come in the door and knock our socks off so we can have an incredible production and I’ve been on that side of the table when not enough people have heard about the auditions or been inclined to show up to commit to the production. I’ve also been incredibly lucky and had the opportunity to see amazing people come through the door and had an incredible time debating over who is just right to create the magic we need for our show.

My message is clear on this though, AUDITION. Always audition.

When you have another commitment, but you really love the show – audition. They might need you and accommodate you.

When you LOVE the part, but are afraid they’ll choose someone else – audition. You might change their mind.

When you are afraid of the show/role/team/time (or whatever) – audition. You will almost never regret it.

When you are inexperienced, but think it could be fun – audition. You have nothing to lose and they might adore you beyond belief.

In short – don’t be afraid of the audition. I know it is terrifying. I’ve been there. Especially when there is a lot at stake. But even if you don’t win the role, you can OWN the room for a moment and take something from the experience on to the next audition.

Regardless, always go into the room thinking, “They need me.”

Cause it’s true.

Author: Ceris Thomas

Ceris is a creative person. She teaches by day - and finds as much creativity in her job as she can and by night, (and during every spare minute she has), she creates through directing/choreographing and performing plays, drawing, writing, podcasting and now, sewing puppets. She likes to help others find and nurture their creativity and she loves finding out about other people's path to their own creative projects.

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